{"id":33517,"date":"2025-02-27T14:57:49","date_gmt":"2025-02-27T18:57:49","guid":{"rendered":"https:\/\/consentidosocial.com\/?p=33517"},"modified":"2025-02-27T14:57:49","modified_gmt":"2025-02-27T18:57:49","slug":"tradiciones-carnavalescas-y-cultura-prehispanica-son-tema-de-conversatorio","status":"publish","type":"post","link":"https:\/\/consentidosocial.com\/en\/2025\/02\/27\/tradiciones-carnavalescas-y-cultura-prehispanica-son-tema-de-conversatorio\/","title":{"rendered":"Tradiciones carnavalescas y cultura prehisp\u00e1nica son tema de conversatorio"},"content":{"rendered":"<p><strong>Santo Domingo, Dominican Republic.<\/strong> \u2013 \u201cEl carnaval dominicano y su relaci\u00f3n con la cultura ta\u00edna\u201d, fue el tema del conversatorio que celebr\u00f3 el Centro Cultural Ta\u00edno Casa del Cord\u00f3n, iniciativa del Banco Popular Dominicano.<\/p>\n<blockquote><p>Se trat\u00f3 de un espacio de an\u00e1lisis en torno a c\u00f3mo la herencia ind\u00edgena ha influido en una de las principales expresiones festivas del pa\u00eds y de manera espec\u00edfica, comprender c\u00f3mo esta ha dejado una huella en la celebraci\u00f3n del carnaval, demostrando que esta festividad es tambi\u00e9n un espacio de di\u00e1logo entre el pasado y el presente.<\/p><\/blockquote>\n<p><span class=\"dropcap dropcap2\"><strong><span style=\"color: #0000ff;\">C<\/span><\/strong><\/span>arlos And\u00fajar, soci\u00f3logo, investigador y gestor cultural; Linda Roca Pezzotti, arquitecta e investigadora; y Kin S\u00e1nchez, asesor cultural del Cl\u00faster Tur\u00edstico de Santo Domingo, participaron en el conversatorio, que fue moderado por Jos\u00e9 Enrique Delmonte, asesor cultural del centro.<\/p>\n<figure id=\"attachment_33519\" aria-describedby=\"caption-attachment-33519\" style=\"width: 852px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-33519\" src=\"https:\/\/consentidosocial.com\/wp-content\/uploads\/Kin-Sanchez-Carmen-Cordero-Linda-Roca-Carlos-Andujar-y-Jose-Delmonte.jpg\" alt=\"\" width=\"852\" height=\"604\" srcset=\"https:\/\/consentidosocial.com\/wp-content\/uploads\/Kin-Sanchez-Carmen-Cordero-Linda-Roca-Carlos-Andujar-y-Jose-Delmonte.jpg 852w, https:\/\/consentidosocial.com\/wp-content\/uploads\/Kin-Sanchez-Carmen-Cordero-Linda-Roca-Carlos-Andujar-y-Jose-Delmonte-300x213.jpg 300w, https:\/\/consentidosocial.com\/wp-content\/uploads\/Kin-Sanchez-Carmen-Cordero-Linda-Roca-Carlos-Andujar-y-Jose-Delmonte-768x544.jpg 768w, https:\/\/consentidosocial.com\/wp-content\/uploads\/Kin-Sanchez-Carmen-Cordero-Linda-Roca-Carlos-Andujar-y-Jose-Delmonte-100x70.jpg 100w, https:\/\/consentidosocial.com\/wp-content\/uploads\/Kin-Sanchez-Carmen-Cordero-Linda-Roca-Carlos-Andujar-y-Jose-Delmonte-696x493.jpg 696w, https:\/\/consentidosocial.com\/wp-content\/uploads\/Kin-Sanchez-Carmen-Cordero-Linda-Roca-Carlos-Andujar-y-Jose-Delmonte-592x420.jpg 592w\" sizes=\"auto, (max-width: 852px) 100vw, 852px\" \/><figcaption id=\"caption-attachment-33519\" class=\"wp-caption-text\">Kin S\u00e1nchez, Carmen Cordero, Linda Roca, Carlos And\u00fajar y Jos\u00e9 Delmonte.<\/figcaption><\/figure>\n<blockquote class=\"td_quote_box td_box_center\"><p>Los panelistas analizaron la permanencia de elementos ta\u00ednos en el carnaval dominicano, desde la simbolog\u00eda utilizada en las comparsas hasta la integraci\u00f3n de danzas, vestuarios y narraciones inspiradas en las tradiciones ancestrales de los primeros habitantes de la isla.<\/p><\/blockquote>\n<p><span class=\"td_btn td_btn_md td_shadow_btn\"><strong>Legado ta\u00edno en las fiestas populares<\/strong><\/span><\/p>\n<p><span class=\"dropcap dropcap2\"><strong><span style=\"color: #0000ff;\">A<\/span><\/strong><\/span> lo largo de los a\u00f1os, el carnaval dominicano ha absorbido elementos de la cultura ta\u00edna, conservando y reinterpretando s\u00edmbolos de la identidad prehisp\u00e1nica dentro de sus celebraciones.<\/p>\n<blockquote><p>Una de las manifestaciones m\u00e1s representativas es la figura de los \u201cTaim\u00e1scaros\u201d en Puerto Plata, personajes introducidos en 1991 por Jacinto Beard. Su denominaci\u00f3n, que combina \u201cTa\u00edno\u201d y \u201cm\u00e1scara\u201d, refleja la fusi\u00f3n de influencias culturales que han dado forma a las festividades actuales.<\/p><\/blockquote>\n<p><span class=\"dropcap dropcap2\" style=\"color: #0000ff;\"><strong>E<\/strong><\/span>n distintas regiones del pa\u00eds, las comparsas conocidas como \u201cLos Indios\u201d han mantenido viva la memoria de las poblaciones precolombinas. Estas agrupaciones emplean vestimentas inspiradas en la indumentaria ta\u00edna, con detalles como plumas, arcos, lanzas y pintura corporal.<\/p>\n<p>En el contexto actual, algunos grupos han integrado pr\u00e1cticas influenciadas por los ritos ta\u00ednos, como ocurre con las danzas en c\u00edrculo, semejando a los are\u00edtos, un acto ceremonial de baile y canto que narraba y honraba las haza\u00f1as de los ancestros.<\/p>\n<p><span class=\"dropcap dropcap2\"><strong><span style=\"color: #0000ff;\">T<\/span><\/strong><\/span>ambi\u00e9n el carnaval dominicano ha adoptado instrumentos de percusi\u00f3n que remiten a los utilizados por los pueblos originarios. Asimismo, la narraci\u00f3n de historias a trav\u00e9s del teatro y el canto ha servido como veh\u00edculo para preservar mitos y leyendas ancestrales.<\/p>","protected":false},"excerpt":{"rendered":"<p>Santo Domingo, Rep\u00fablica Dominicana. \u2013 \u201cEl carnaval dominicano y su relaci\u00f3n con la cultura ta\u00edna\u201d, fue el tema del conversatorio que celebr\u00f3 el Centro Cultural Ta\u00edno Casa del Cord\u00f3n, iniciativa del Banco Popular Dominicano. Se trat\u00f3 de un espacio de an\u00e1lisis en torno a c\u00f3mo la herencia ind\u00edgena ha influido en una de las principales [&hellip;]<\/p>\n","protected":false},"author":213,"featured_media":33518,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"inline_featured_image":false,"footnotes":""},"categories":[11],"tags":[],"class_list":["post-33517","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-placeres"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.7 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Tradiciones carnavalescas y cultura prehisp\u00e1nica son tema de conversatorio - Con Sentido Social<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/consentidosocial.com\/en\/2025\/02\/27\/tradiciones-carnavalescas-y-cultura-prehispanica-son-tema-de-conversatorio\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Tradiciones carnavalescas y cultura prehisp\u00e1nica son tema de conversatorio - Con Sentido Social\" \/>\n<meta property=\"og:description\" content=\"Santo Domingo, Rep\u00fablica Dominicana. \u2013 \u201cEl carnaval dominicano y su relaci\u00f3n con la cultura ta\u00edna\u201d, fue el tema del conversatorio que celebr\u00f3 el Centro Cultural Ta\u00edno Casa del Cord\u00f3n, iniciativa del Banco Popular Dominicano. 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