{"id":4918,"date":"2019-08-30T13:00:15","date_gmt":"2019-08-30T17:00:15","guid":{"rendered":"https:\/\/consentidosocial.com\/?p=4918"},"modified":"2019-08-30T13:26:35","modified_gmt":"2019-08-30T17:26:35","slug":"el-vestidor","status":"publish","type":"post","link":"https:\/\/consentidosocial.com\/en\/2019\/08\/30\/el-vestidor\/","title":{"rendered":"El Vestidor"},"content":{"rendered":"

Santo Domingo, Dominican Republic.-<\/strong> La sala Ravelo del Teatro Nacional ha necesitado de m\u00e1s butacas para acoger al p\u00fablico que ha acudido a ver El Vestidor.<\/p>\n

Esta es una pieza fundamental del teatro moderno, escrita por el dramaturgo y guionista sudafricano Ronald Harwood, que se ha constituido en el mejor gesto de homenaje al D\u00eda Internacional de la Actuaci\u00f3n<\/span>, acontecido el pasado 22 y que, salvo la difusi\u00f3n de mensajes en las redes sociales, no ha pasado a mayores, afirma Jos\u00e9 Rafael Sosa en este trabajo remitido a Con Sentido Social, en el que comparte una entrevista realizada a Exmin Carvajal, responsable de tener la obra en el pa\u00eds.<\/p>\n

Se trata de un fen\u00f3meno esc\u00e9nico, llamado a repercutir por mucho tiempo en el ambiente local, refiere Sosa.<\/span><\/p>\n

Constituida en una de las piezas fundamentales del teatro moderno, sus representaciones incluyen m\u00e1s de 40 pa\u00edses y centenares de compa\u00f1\u00edas que han emprendido el camino de exponer la riqueza de sus parlamentos y el esquema de amo-esclavo entre un divo de las tablas y el que se supone humilde vestidor a su servicio y que en fin de cuentas es el verdadero portador del protagonismo.<\/p>\n

En la entrevista, Exmin Carvajal manifiesta que hizo coincidir la puesta en escena a prop\u00f3sito, en un pa\u00eds en el cual conmemoraciones como esa pasan desapercibidas, y que seleccion\u00f3 el tiempo exacto para llevar al p\u00fablico una exquisita ficci\u00f3n sobre la autoridad, la amistad y los egos que generan los espacios del teatro.<\/p>\n

Los talentos en el montaje son: Norman (El Vestidor), Exmin Carvajal, (La se\u00f1ora), Yanela Hern\u00e1ndez, (Madge), Luvil Gonz\u00e1lez, (El Se\u00f1or (Sir), Giovanny Cruz, (Irene) Karoline Becker y (Geffry), Mario Lebr\u00f3n, y quien adem\u00e1s es el director.<\/p>\n

\n
\n

\u201cEn esta producci\u00f3n me ha tocado representar el rol protag\u00f3nico de un \u00abVestidor\u00bb de un gran divo del teatro. Lo he cuidado y vestido durante m\u00e1s de 20 a\u00f1os en los que guardo sus secretos, he sido su c\u00f3mplice y tambi\u00e9n he sido el motor para que este gran actor llegue a escena todas las noches preparado completamente a pesar de su edad, su temperamento, sus miedos y sus inseguridades\u201d.<\/p>\n

Exmin Carvajal<\/span><\/p>\n

\n<\/blockquote>\n

Describe que en esa gran relaci\u00f3n de tanto tiempo tambi\u00e9n afloraron pasiones entre estos dos personajes que marcan un gran conflicto y un gran cl\u00edmax en la obra. \u201cSoy alguien sumiso a \u00e9l pero tambi\u00e9n mi personalidad determina el accionar de todos los personajes\u201d, explica Exmin sobre su personaje.<\/p>\n

Exmin, quien ha dejado su carrera exitosa como hotelero para dedicarse al teatro, desarrolla una trayectoria que le ha llevado a hacer protag\u00f3nicos con Iv\u00e1n Garc\u00eda (\u00abDama de Negro\u00bb), Franklin Dom\u00ednguez (\u00abPecados Enfrentados\u00bb), Johnnie Mercedes \u00abDe Genios y Locos… Todos Tenemos un poco\u00bb) y Giovanny Cruz (\u00abEl Vestidor\u00bb).<\/p>\n

El apasionado teatrista se ve en 10 a\u00f1os al frente de una gran empresa productora de teatro, actuando en nuestro pa\u00eds, fomentando el teatro en todos los rincones, haciendo giras nacionales e internacionales y creando las bases para que haya m\u00e1s escuelas de teatro en provincias.<\/p>\n

\"\"<\/a>\u201cMe gustar\u00eda ver que el estado fomente dentro de su pol\u00edtica de educaci\u00f3n el teatro como materia dentro de las escuelas p\u00fablicas y que cada escuela tenga sus grupos teatrales\u201d.<\/span><\/h4>","protected":false},"excerpt":{"rendered":"

Santo Domingo, Rep\u00fablica Dominicana.- La sala Ravelo del Teatro Nacional ha necesitado de m\u00e1s butacas para acoger al p\u00fablico que ha acudido a ver El Vestidor. Esta es una pieza fundamental del teatro moderno, escrita por el dramaturgo y guionista sudafricano Ronald Harwood, que se ha constituido en el mejor gesto de homenaje al D\u00eda […]<\/p>\n","protected":false},"author":213,"featured_media":4919,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"inline_featured_image":false,"footnotes":""},"categories":[11],"tags":[],"class_list":["post-4918","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-placeres"],"yoast_head":"\nEl Vestidor - Con Sentido Social<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/consentidosocial.com\/en\/2019\/08\/30\/el-vestidor\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"El Vestidor - Con Sentido Social\" \/>\n<meta property=\"og:description\" content=\"Santo Domingo, Rep\u00fablica Dominicana.- La sala Ravelo del Teatro Nacional ha necesitado de m\u00e1s butacas para acoger al p\u00fablico que ha acudido a ver El Vestidor. Esta es una pieza fundamental del teatro moderno, escrita por el dramaturgo y guionista sudafricano Ronald Harwood, que se ha constituido en el mejor gesto de homenaje al D\u00eda […]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/consentidosocial.com\/en\/2019\/08\/30\/el-vestidor\/\" \/>\n<meta property=\"og:site_name\" content=\"Con Sentido Social\" \/>\n<meta property=\"article:published_time\" content=\"2019-08-30T17:00:15+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2019-08-30T17:26:35+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/consentidosocial.com\/wp-content\/uploads\/2019\/08\/Elenco-total.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1120\" \/>\n\t<meta property=\"og:image:height\" content=\"756\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Redacci\u00f3n Consentidosocial\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Redacci\u00f3n Consentidosocial\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"3 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/consentidosocial.com\\\/2019\\\/08\\\/30\\\/el-vestidor\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/consentidosocial.com\\\/2019\\\/08\\\/30\\\/el-vestidor\\\/\"},\"author\":{\"name\":\"Redacci\u00f3n Consentidosocial\",\"@id\":\"http:\\\/\\\/consentidosocial.com\\\/#\\\/schema\\\/person\\\/63a427dba4c2ae7cf5b2e432b1f7b797\"},\"headline\":\"El Vestidor\",\"datePublished\":\"2019-08-30T17:00:15+00:00\",\"dateModified\":\"2019-08-30T17:26:35+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/consentidosocial.com\\\/2019\\\/08\\\/30\\\/el-vestidor\\\/\"},\"wordCount\":569,\"commentCount\":0,\"image\":{\"@id\":\"https:\\\/\\\/consentidosocial.com\\\/2019\\\/08\\\/30\\\/el-vestidor\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/consentidosocial.com\\\/wp-content\\\/uploads\\\/2019\\\/08\\\/Elenco-total.jpg\",\"articleSection\":[\"Placeres\"],\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\\\/\\\/consentidosocial.com\\\/2019\\\/08\\\/30\\\/el-vestidor\\\/#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/consentidosocial.com\\\/2019\\\/08\\\/30\\\/el-vestidor\\\/\",\"url\":\"https:\\\/\\\/consentidosocial.com\\\/2019\\\/08\\\/30\\\/el-vestidor\\\/\",\"name\":\"El Vestidor - 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